满清十大酷刑之赤裸凌迟 滿清十大酷刑之赤裸凌遲

 为了寻找在派对中失踪的大学生，两名携带录像设备的私家侦探闯入了一幢空房子，并在其中发现数卷神秘录影带：1）男人米德尔顿植入了能记录影像和声音的义眼，他在家中却看到恐怖的影像；2）在国家公园丛林里骑车的麦克碰到一个满身伤痕、呕吐黑水的女人，接下来一群恐怖丧尸慢慢向他靠近。被丧尸咬了后，男子的身体渐渐发生变化；3）某剧组造访一个神秘教派，天堂般美好的表象下，恐怖气息蔓延，他们偏偏赶上魔王降临人间；4）父母不在的湖边住宅，孩子们放肆玩耍。夜深人静之际，强烈的光芒突然闪过，神秘生物进入屋内，意外频现。诡异的录影带，将观看者引向黑暗深处……

根据1961年轰动全台的“瑠公圳分尸大案”改编。刑警赵子午（朱轩洋 饰）与记者张秀秀（吴卓源 饰）在得知女尸案有幕后阴谋后，联手搏命找寻真相。警方也随后发布巨额悬赏。不料，赵子午父亲、抗日将军赵志升（张世 饰）被列为分尸案嫌犯。媒体得知后开始疯狂报道，一时间这起混杂血案、舆论、政敌的分尸案闹得全城震动……

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　1977年，在被军事独裁统治折磨的巴西，四十多岁的马塞洛逃离了他混乱的过去，来到累西腓，希望在这里建立新的生活并与家人重修旧好。然而，他并未料到死亡威胁如影随形，笼罩在他的头顶。